We Who Remain is the first comprehensive exhibition of Sámi art ever shown at the Kiasma Museum of Contemporary Art in ...
Sámi writer Linnea Axelsson’s AEdnan uses the ancient form to critique Sweden’s historical mistreatment of its indigenous people. Anna Nordlander, Sami Woman and her Child (1870s). Like the work it ...
In most textbooks, history typically only moves forward, from past to present. But in Britta Marakatt-Labba's 75-foot-long embroidery Historjá (2003–07), a piece that aspires to sum up the entirety of ...
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