The chief executive of Creative Scotland has said he is “increasingly concerned” about the pressures on local authority arts ...
The British Museum has budgeted £1.2 million for the upcoming transportation of the Bayeux Tapestry, Arts Professional can reveal.
The Royal School of Church Music will support more than 200 churches across England to revive or establish choirs.
Lincoln Abbotts, engagement director at music charity ABRSM reflects on the findings of a recent survey into the benefits of ...
There is widespread concern about creative work being displaced by AI. But, as QMUL's Aoife Monks argues, the debate overly concentrates on copyright at the expense of the majority of the workforce.
The Royal Academy (RA) has deactivated a membership card belonging to a collective aiming to increase artists’ access to paid exhibitions across London. The Artist Membership Project, an initiative ...
A report by Ofsted on music teaching in schools has highlighted the disparity in opportunities between pupils whose families can afford to pay for tuition and those who cannot, noting the issue has ...
There is no shortage of articles exploring the combination of the creative industries and emerging technology – sometimes fractious, often thought provoking. As the UK government consults on proposals ...
Young adults born between 1997 and 2012 are more likely to cite the arts as one of the most valuable aspects of their school experience than older generations, new research has found. Commissioned by ...
Four new trustees are joining Covent Garden theatre the Donmar Warehouse. NEIL BLAIR is Founding Partner of The Blair Partnership and Chairman of Pottermore. He was previously Head of Business Affairs ...
The combined value to the economy of visual and perfoming arts including theatre, opera and music has risen nearly 18 per cent on its pre-pandemic level, figures published by the Department for ...
Drama Centre London (DCL), part of Central St Martins (CSM) college, is to close following an investigation into the death of a student and concerns about the conservatoire’s “course culture and ...