A more unsettling type of entrancement awaits in “Death Has No Master,” a Venezuelan drama from Jorge Thielen Armand—also in Directors’ Fortnight—about a woman named Caro (Asia Argento) who returns to ...
Three films that foreground the experience of women navigating what agency remains accessible to them in patriarchal ...
While we try to divide and conquer a large amount of the Cannes program, including every one of the Competition titles, the scheduling inevitably leads to situations where a writer on this team sees ...
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