A more unsettling type of entrancement awaits in “Death Has No Master,” a Venezuelan drama from Jorge Thielen Armand—also in Directors’ Fortnight—about a woman named Caro (Asia Argento) who returns to ...
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While we try to divide and conquer a large amount of the Cannes program, including every one of the Competition titles, the scheduling inevitably leads to situations where a writer on this team sees ...
Three films that foreground the experience of women navigating what agency remains accessible to them in patriarchal ...
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